All our editors are experienced in both large and small scale projects and are ready to get your projects off on the right foot. Have a specific editor in mind for your project? No problem. Our suites are available for dry and wet hire and each room has duel boot Avid or FCP systems so you can work with whatever system suits your project.
Our two Online finishing suites operate the latest Avid Symphony MC7 software with Boris plug-ins and are connected to ISIS central storage which allows the sharing of media across all of our edit suites. Our Isilon server allows instant access to files from Grade, Studio, VFX etc. With HD monitoring, both are very comfortable environments to finish your project.
Colour grading is an art form all its own. Whether you want to further enhance or establish a new visual tone or make elements in your frame pop, even a subtle colour grade can have a profound impact on an audience.
The final step before cinema release and a very cost-effective way to get to the big screen. We produce fully DCI compliant Digital Cinema Print Packages and we can deliver them to your distributor or directly to cinemas. We can create a DCP from practically any format and have extensive experience handling features from rushes to print.
Our design team are on hand to create beautiful motion graphics to enhance your project. We create demo app explainer videos and graphic inserts for a range of projects and budgets
We can ingest and transcode your rushes to all formats and make them available to all production members for daily viewing via our Eggstream or FTP upload them to your server. We can provide master files in a wide range of formats suitable for web streaming and upload.
Guy MontgomerySenior editor
Guy has a long list of editing credits accumalated both here and in London for programs broadcast on Channel 4, BBC, UTV and RTE. In 2012 he was nominated for an IFTA for 'Parked'....Oh and he drives to work every morning on his motorbike.
Alan SullivanOnline Editor
Alan has over 20 years finishing experience worked on every format under the sun. He dreams of having his own day time radio slot with Alan Partridge.
Malcolm has been part of the editing team in Egg since 2011. He has worked across a vast array of tv projects, including International Emmy Award Winning 50 Ways To Kill Your Mammy and Moone Boy, acclaimed Irish comedy Damo & Ivor and BAFTA winning childrens series Roy.
Nik began his career in Athens working with Theodoros Angelopoulos and Tayfun Pirselimoglu to name but a few. 2012 saw him move to the bright lights of Bollywood where he worked as a Colourist and Workflow consultant. His motto is a simple one. Serve the story without drawing too much attention to the technical process
Veronica KaminskaSenior Asisstant Editor
Veronica joined us in 2009 and quickly moved up the ranks to senior assistant editor. She's been involved in many high profile documentaries, television series and feature films but she handles the fame well. If you looked up perfectionist in the dictionary you'd probably find her name beside it.
Mike AndrewsJunior Colourist
After interning in post production on Universal and Warner Brothers productions, Mike came to EGG to focus on the craft that he became fascinated with in Colour grading. Mike has a keen eye for detail, loves experimenting with looks, and bringing out the mood with colour.
Cormac DunneSenior Engineer
Cormac is head of Egg's technical department and over see's everything from day to day equipment maintenance to final quality control of all content leaving the facility. He has the eyes of a hawk and the patience of a saint.
Conor SpelmanTrainee Editor
Conor joined Egg in the summer of 2015. He is currently learning the ropes in the editorial department.