The sound department at Egg has built its reputation from humble beginnings to become a formidable force in Audio Post Production.

Our talented team of sound designers , re-recording mixers, foley artists and sound editors are held in the highest regard in the Irish and international film Industry.

Our state of the art facilities provide comfortable and spacious surroundings for all forms of audio mixing and sound creation, from TV/VOD episodic drama, Cinema features, TV/Feature animation, Documentary, Factual Entertainment to Advertising projects, we are geared to handle it all.


Sound Design and Dolby Atmos Mix

We believe that sound is 50 percent of the picture, and as audiences worldwide are becoming increasingly sound aware , directors and producers know that excellent sound design and mixing is the secret weapon in creative storytelling

Our team of sound designers and mixers effortlessly combine creativity and technical prowess to tailor-make each soundtrack.

With a firm grounding in cinematic mixing and design, we bring that level of detail and thought to all of our work.

As VOD, TV drama, documentary and advertising require ever more intricate sound design, the team at EGG know that they key is to listen to the creative needs of our clients. Using all their knowledge, experience and passion to deliver world class audio. 

Our dialogue editors have state of the art tools at their fingertips, including Izotope RX, Auto-Align and Ediload, amongst others.

Sound edit and foley

EGG can provide a full foley recording and foley editing service.

Our team of FX editors have recorded vast sound library over the years.

ADR, VO and Loop group

Both of EGG’s fully equipped studios provide state of the art ADR facilities, and with the option of Source Connect, sessions can be produced and managed from anywhere in the world. We also record Voiceover and loop groups of up to 20 people in the spacious studios.

Sound Supervisor

Head of Sound- Aza Hand

Aza began his journey as a Live Sound Engineer, mixing at venues and festivals across Europe, before deciding television and feature film sound was where his future lay. 

Moving to Ardmore Sound he worked his way up, mixing sound on a Harrison MPC Digitally Controlled Analogue Console while also learning his craft with Foley and ADR Recording. Since arriving at EGG he has perfected his craft, mixing on a AMS Neve DFC Gemini Digital Console and adding numerous award winning credits as a Sound Designer on shorts and documentaries. Recent credits include I Am Not A Serial Killer by Billy O’Brien, The Canal by Ivan Kavanagh and The Legend Of Longwood by Lisa Mulcahy, Without Name by Lorcan Finnegan, Tiger Raid by Simon Dixon and starring Brian Gleeson, Never Grow Old by Ivan Kavangh, starring Nick Cusack and Emile Hirsch and Here Are The Young Men by Eoin Macken. Check out Aza's IMDB Profile here. 

Studio 1

Dubbing stage with Dolby Atmos 7.1 JBL Theatrical monitoring and 5.1 Genelec nearfield Monitoring

                  Neve DFC Film Console and Avid S5 Console   

Neve DFC Gemini Digital Console

Studio 2

Dubbing stage with Dolby Atmos 7.1 JBL Theatrical monitoring and 5.1 Genelec nearfield Monitoring

Icon D- Control Console

Sound Design

4 State of the art 5.1 sound design suites with protools and AVID artist control